-
Ugly Feelings (Hardback)
Unavailable
Sorry we can't get this title, the button below links through to AbeBooks who may have this title (opens in new window).
|Short Description for Ugly FeelingsThrough readings of Herman Melville, Nella Larsen, Sigmund Freud, Alfred Hitchcock, Gertrude Stein, Ralph Ellison, and Bruce Andrews, among others, this work shows how art turns to ugly feelings as a site for interrogating its own suspended agency in the affirmative culture of a market society, where art is tolerated as essentially unthreatening.
Full description- Publisher: HARVARD UNIVERSITY PRESS
- Published: 08 February 2005
- Format: Hardback 368 pages
- See: Full bibliographic data
- Categories: Literary Studies: General | Philosophy Of Mind
- ISBN 13: 9780674015364 ISBN 10: 0674015363
Other books
Full description for Ugly Feelings
Envy, irritation, paranoia - in contrast to powerful and dynamic negative emotions like anger, these non-cathartic states of feeling are associated with situations in which action is blocked or suspended. In her examination of the cultural forms to which these affects give rise, Sianne Ngai suggests that these minor and more politically ambiguous feelings become all the more suited for diagnosing the character of late modernity. Along with her inquiry into the aesthetics of unprestigious negative affects such as irritation, envy, and disgust, Ngai examines a racialised affect called "animatedness", and a paradoxical synthesis of shock and boredom called "stuplimity". She explores the politically equivocal work of these affective concepts in the cultural contexts where they seem most at stake, from academic feminist debates to the Harlem Renaissance, from late-20th Century American poetry to Hollywood film and network television. Through readings of Herman Melville, Nella Larsen, Sigmund Freud, Alfred Hitchcock, Gertrude Stein, Ralph Ellison, John Yau, and Bruce Andrews, among others, Ngai shows how art turns to ugly feelings as a site for interrogating its own suspended agency in the affirmative culture of a market society, where art is tolerated as essentially unthreatening.

