• Scanners and Others: Three Science Fiction Stories See large image

    Scanners and Others: Three Science Fiction Stories (Paperback) By (author) Cordwainer Smith

    Free worldwide delivery

    $7.00 - Free delivery worldwide (to United States and
    all these other countries)
    Usually dispatched within 48 hours
    Add to basket | Add to wishlist |

    Short Description for Scanners and OthersThis volume collects three of Cordwainer Smith's finest tales: "Scanners Live in Vain," "The Game of Rat and Dragon," and "Mark Elf." Cordwainer Smith was the pseudonym used by Paul Myron Anthony Linebarger (1913-1966) for his science fiction works. Linebarger was a noted East Asia scholar and expert in psychological warfare. Linebarger also employed the literary pseudonyms "Carmichael Smith" (f...
    Full description


Other books

Other people who viewed this bought | Other books in this category
Showing items 1 to 10 of 10

 

Full description | Reviews | Bibliographic data

Full description for Scanners and Others

  • This volume collects three of Cordwainer Smith's finest tales: "Scanners Live in Vain," "The Game of Rat and Dragon," and "Mark Elf." Cordwainer Smith was the pseudonym used by Paul Myron Anthony Linebarger (1913-1966) for his science fiction works. Linebarger was a noted East Asia scholar and expert in psychological warfare. Linebarger also employed the literary pseudonyms "Carmichael Smith" (for his political thriller Atomsk), "Anthony Bearden" (for his poetry) and "Felix C. Forrest" (for the novels Ria and Carola). "Scanners Live in Vain" was Linebarger's first published SF story as an adult (his short story "War No. 81-Q," which he wrote at age 15 was published in his high school magazine), and the first appearance of the Cordwainer Smith pen name. It was written in 1945, and had been rejected by a number of magazines before its acceptance and publication in Fantasy Book in 1950. It was in that obscure magazine that it was noticed by SF writer Frederik Pohl who, impressed with the story's powerful imagery and style, subsequently re-published it in 1952 in the more widely read anthology Beyond the End of Time.