Emblems of Eloquence: Opera and Women's Voices in Seventeenth-Century Venice (Hardback)
$81.40 - Save $4.28 (4%) - RRP $85.68 Free delivery worldwide (to United States and
all these other countries) Usually dispatched within 48 hours | |Short Description for Emblems of Eloquence Drawing upon a complex web of early modern sources and ancient texts, this study is a treatment of women, gender and sexuality in 17th-century opera. It explores the operatic manifestations of female chastity, power, transvestism, androgyny and desire.
Full description- Publisher: University of California Press
- Published: 12 January 2004
- Format: Hardback 405 pages
- See: Full bibliographic data
- Categories: Music Reviews & Criticism | Opera | Gender Studies, Gender Groups | European History | Ancient History: To C 500 CE | History: Specific Events & Topics
- ISBN 13: 9780520209336 ISBN 10: 0520209338
- Sales rank: 649,484
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Full description for Emblems of Eloquence
Opera developed during a time when the position of women--their rights and freedoms, their virtues and vices, and even the most basic substance of their sexuality--was constantly debated. Many of these controversies manifested themselves in the representation of the historical and mythological women whose voices were heard on the Venetian operatic stage. Drawing upon a complex web of early modern sources and ancient texts, this engaging study is the first comprehensive treatment of women, gender, and sexuality in seventeenth-century opera. Wendy Heller explores the operatic manifestations of female chastity, power, transvestism, androgyny, and desire, showing how the emerging genre was shaped by and infused with the Republic's taste for the erotic and its ambivalent attitudes toward women and sexuality. Heller begins by examining contemporary Venetian writings about gender and sexuality that influenced the development of female vocality in opera. The Venetian reception and transformation of ancient texts--by Ovid, Virgil, Tacitus, and Diodorus Siculus--form the background for her penetrating analyses of the musical and dramatic representation of five extraordinary women as presented in operas by Claudio Monteverdi, Francesco Cavalli, and their successors in Venice: Dido, queen of Carthage (Cavalli); Octavia, wife of Nero (Monteverdi); the nymph Callisto (Cavalli); Queen Semiramis of Assyria (Pietro Andrea Ziani); and Messalina, wife of Claudius (Carlo Pallavicino).
