• See large image

  Curating Subjects (Paperback) Edited by Paul O'Neill, By (author) Soren Andreasen, By (author) Lars Bang Larsen, By (author) Julie Aualt, By (author) Carlos Basualdo, By (author) Dave Beech, By (author) Mark Hutchinson, By (author) Irene Calderoni, By (author) Anshuman Das Gupta

  

  $22.66 - Save $1.19 (4%) - RRP $23.85 Free delivery worldwide (to United States and
  all these other countries) Usually dispatched within 24 hours Add to basket | Add to wishlist |

  Short Description for Curating SubjectsEdited by Paul O'Neill. Introduction by Paul O'Neill, Annie Fletcher.
  Full description

  • Publisher: Open Editions
  • Published: 15 December 2007
  • Format: Paperback 272 pages
  • See: Full bibliographic data
  • Categories: General | Art History | Exhibition Catalogues & Specific Collections
  • ISBN 13: 9780949004161 ISBN 10: 0949004162
  • Sales rank: 128,364

• Postproduction

  

  Add to basket $20.40 - Save $1.07 (4%) - RRP $21.47

• What Makes a Great Exhibition?

  

  Add to basket $19.56 - Save $1.03 (5%) - RRP $20.59

• Curating and the Educational Tur...

  

  Add to basket $27.19 - Save $1.43 (4%) - RRP $28.62

• Diablo III

  

  Add to basket $34.73 - Save $1.83 (5%) - RRP $36.56

• Wall and Piece

  

  Add to basket $26.59 -

Full description for Curating Subjects

• This sleek and serious anthology of new curatorial writing features contributions from leading international curators, artists and critics including Julie Ault, Soren Andreasen & Lars Bang Larsen, Carlos Basualdo, Dave Beech & Mark Hutchinson, Irene Calderoni, Anshuman Das Gupta & Grant Watson, Clementine Deliss, Eva Diaz, Claire Doherty, Okwui Enwezor, Annie Fletcher, Liam Gillick, Jens Hoffmann, Robert Nickas, Hans Ulrich Obrist, Sarah Pierce, Simon Sheikh, Mary Anne Staniszewski, Andrew Wilson and Mick Wilson. Put together by the curator-critic Paul O'Neill, "Curating Subjects," documents the inter-dependent relationships between the curatorial past, present and speculative futures and, instead of following the convention of curators writing about themselves, invites the authors to provide a text about the curatorial work of others. The result is an eclectic volume of accessible responses that provides a pluralistic and dynamic curatorial discourse where critical essays, theoretical explorations, propositions, historical overviews, interviews, exhibition critiques and fictional accounts sit side by side. Essential reading for students and professionals alike.